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Grateful Dead Live at Barton Hall, Cornell University on 1977-05-08

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Source: DVD-A 24/96 SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)
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Source: 2 Source Matrix by Dusborne; Audience 1 (shnid:117027) source: aud taped by Jerry Moore a)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, b)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) b)The One More Sat Nite encore is from the newly discovered original cassette master and has only been included in previous seeds from the 1st gen reel, lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b> aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels
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Source: source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
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Source: source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
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Source: Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274
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Source: DTS Audio 5.1 : Soundboard (Betty Board) > Master 7
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Source: WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES. PCM501ES analog out > Fostex D5 @ 48 kHz>DATs>ZA2>CDRs>EAC>SHN
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Source: Matrix (see notes)